Atitlon is the greek translation of the word ‘’untitled’’, a direct reference to modern painting and the artistic practice to leave paintings without a subject matter description through a title.
An invisible hand paints and the ghosts of the creator appear in flesh and bones. In a haunted landscape, he now stands as a mere spectator. A painting slowly appears in three dimensional form and is immortalized “inside” the white canvas. The distorted figures that emerge leave behind traces and imprints of their paths. Trapped in the black and white reality of the canvas they document a story of love, loss and trauma. Like an incomprehensible chaos that, much like nature itself, creates order. A figurative allegory for the universal need of humans to create, come into conflict and fall in love through the body - whose memory, and as memory - is condemned to return to the wounds it believes it has forgotten.
Choreographer Antonia Economou writes: "ATITLON began in 2019 and the creative process was interrupted due to lockdown. During this period, I started experimenting with moving images, using cinematic and visual means. These slowly discovered paths lead me to create a new version of ATITLON, reapproaching it as a black and white film, as moving painting - a multilayered world-that nurtures a story about love and separation, loss, and memory, entropy and falling, the gaze and trauma. I feel ATITLON finale is a “sum up”, a last chance to revise and renew this material. I returned back to the nature and choice of our untitled title which gives away that this work is never finished or solidified in order to be confined and fully described through a title, while its meaning remains open ended. For me it is a work, a piece, in progress- its end hanging from a thread, a sudden breath-in- always in need of the viewer's gaze in order to be complete.
ATITLON was originally conceived in 2019, but was never presented in its original romf. It was not until February 2024, that it was revised and presented in Athens. Economou’s acclaimed production returned in 2024 and in 2025, as ATITLON finale at Sychrono Theatro in Athens receiving warm critical acclaim in sold-out performances.
Credits
Concept - visual space - direction -choreography: Antonia Economou
Sound engineer-sound direction: Giorgos Kravvaritis
Original music: Constantine Skourlis
Music: Vivaldi "Pieta-Sacred Works (for alto)"
Assistant choreographer: Eirini Damianidou
Muse | Xenia Stathouli
Narcissus | Pavlos Lykoudis
Chaos | Nikos Tsolis
Eros | Orestis Alexiadis
Chorus: Alex Drandakis, Haris Hatziandreou, Antonia Pitoulidou
Original chorus cast-material devised by: Klaus Shehaj, Xenia Tabourlou, Eirini Damianidou
Set design: Lydia Lampropoulou
Lighting design: Vangelis Mountrichas
Costumes - special constructions: Konstantinos Chaldaios
MUA: Petros Tigas
MUA assistants: Stamatis Theocharis, Aggeliki Glavina
Cinematography / Film: Christos Adrianopoulos
Design: Zoe Kravvariti
Halldorophone: Konstantinos Chinis
Piano: Christos Sakellaridis
Sound design: Nikolas Kazazis
Production manager: Lydia Lampropoulou
Communication manager: Katerina P. Trichia
Cinematography: Christos Adrianopoulos
Production: ERGO